Handicraft is the technology of the hand. A craft at its best represents man's need to create all together with mind and hand. A fine object is planned not only to be aesthetically pleasing; it is basically a skilled explanation as well to a specific need. Tamil Nadu's handicrafts are more or less unlimited, in variety they are infinite. In Tamil Nadu, numerous local village and country traditions have survived through the course of altering history, giving and taking among them.
Handicrafts in Tamil Nadu were, in a way, cherished as an important part of our rich cultural heritage. Now though this sentiment continues to be rekindled, there is a pronounced change in the general attitude towards crafts, which is completely upsetting our basic sense of human values. For, though handicrafts helped to fulfill a positive physical need in the daily lives of the people, they also served to satisfy the aesthetic hunger in man and provided a vehicle for his urge for self-expression, which revealed itself in a conscious aesthetic approach. The inspiration has come from the tender core of the substance of everyday life and nature's own rich store-house. These significant and meaningful facts are being rapidly forgotten. To-day handicrafts are becoming just commodities for sale, not the essentials of elegant living. Handicrafts of Tamil Nadu are available it several materials and forms.
In Karigiri a small village near Chennai, a dozen potter families are occupied in producing glazed artistic pottery, with conventional Persian designs. The major raw material used is a type of clay known as namakatti. Chemically, this is a kind of low-fusing China clay; the material is so soft and elastic that highly complex designs in various shapes can be easily thrown on the potter' wheel, with beautiful cut-out or incised designs. Low-fired glazes in emerald green, deep blue and gold are commonly used. Apart from decorative vases, a variety of attractive utilitarian objects like water jugs, ink-stands and ash trays in traditional and modern forms are also made.
Source : crafting.squidoo.com/tamil_nadu_handicrafts
Handicrafts in Tamil Nadu were, in a way, cherished as an important part of our rich cultural heritage. Now though this sentiment continues to be rekindled, there is a pronounced change in the general attitude towards crafts, which is completely upsetting our basic sense of human values. For, though handicrafts helped to fulfill a positive physical need in the daily lives of the people, they also served to satisfy the aesthetic hunger in man and provided a vehicle for his urge for self-expression, which revealed itself in a conscious aesthetic approach. The inspiration has come from the tender core of the substance of everyday life and nature's own rich store-house. These significant and meaningful facts are being rapidly forgotten. To-day handicrafts are becoming just commodities for sale, not the essentials of elegant living. Handicrafts of Tamil Nadu are available it several materials and forms.
In Karigiri a small village near Chennai, a dozen potter families are occupied in producing glazed artistic pottery, with conventional Persian designs. The major raw material used is a type of clay known as namakatti. Chemically, this is a kind of low-fusing China clay; the material is so soft and elastic that highly complex designs in various shapes can be easily thrown on the potter' wheel, with beautiful cut-out or incised designs. Low-fired glazes in emerald green, deep blue and gold are commonly used. Apart from decorative vases, a variety of attractive utilitarian objects like water jugs, ink-stands and ash trays in traditional and modern forms are also made.
Source : crafting.squidoo.com/tamil_nadu_handicrafts